{"id":38,"date":"2014-01-25T14:43:25","date_gmt":"2014-01-25T14:43:25","guid":{"rendered":"http:\/\/grahambarber.ec-comp.com\/?page_id=20"},"modified":"2019-02-13T14:55:13","modified_gmt":"2019-02-13T14:55:13","slug":"publications","status":"publish","type":"page","link":"https:\/\/grahambarber.org.uk\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>Articles written by Graham Barber:<\/p>\n<ul>\n<li>&#8216;Parallels between the organ chorales of C. Hubert. H. Parry and Max Reger&#8217; in Helmut Loos, Klaus-Peter Koch and Susanne Popp (eds.) <em>Max Reger &#8211; ein nationaler oder ein universaler Komponist?, <\/em>Mitteilungen der internationaler Arbeitsgemeinschaft an der Universit\u00e4t Leipzig, Gudrun Schr\u00f6der Verlag, Leipzig, 2017, 149-163<\/li>\n<\/ul>\n<ul>\n<li>&#8216; &#8220;What the crowd requires is mediocrity of the highest order&#8221;: original organ composition for organ in England before and after 1864&#8217;, <em>Journal of the Royal College of Organists<\/em>, Volume 8, 2014, 40-53<\/li>\n<\/ul>\n<ul>\n<li>\u2018<i>In modo elegiaco<\/i>: Howells and the Sarabande\u2019 in Phillip A. Cooke and David Maw (eds.) <i>The Music of Herbert Howells<\/i>, Boydell &amp; Brewer, Woodbridge, 2013, 240-273<\/li>\n<\/ul>\n<ul>\n<li>\u00a0\u2018\u2026of more than common worth\u2019: a bicentennial appraisal of Henry Smart (1813-79), <i>Journal of the Royal College of Organists<\/i>, Volume 7, 2013, 24-43<\/li>\n<\/ul>\n<ul>\n<li>\u2018The use of organs in English hymnody from the Reformation to the present day\u2019, <i>Journal of the Royal College of Organists<\/i>, Volume 2, 2008, 47-63<\/li>\n<\/ul>\n<ul>\n<li>\u2018Recording the first published organ works of Henry Smart (1813-1879) on the 1882 John Nicholson Organ at St. Christoforuskerk, Schagen\u2019,\u00a0<em>The Organ\u00a0<\/em><em>Yearbook<\/em>\u00a0XXXV, Laaber, 2006, 134 -144<\/li>\n<\/ul>\n<ul>\n<li>\u2018The Use of Psalm-Tunes, Hymns and Chorales in English Organ Music of the Nineteenth-Century\u2019,\u00a0<em>Journal of the British Institute of Organ Studies<\/em>, Positif Press, Oxford, 2003, 58-90<\/li>\n<\/ul>\n<ul>\n<li>\u2018German Organ Music after 1800\u2019 in N. Thistlethwaite and G. Webber (eds.)<em>\u00a0Cambridge Companion to the Organ,\u00a0<\/em>Cambridge University Press, 1999, 250 &#8211; 262<\/li>\n<\/ul>\n<ul>\n<li>\u2018New technology and piano study in higher education: getting the most out of Computer-Controlled Player Pianos\u2019, British Journal of Music Education, 1996, 13, 135 -141<\/li>\n<\/ul>\n<ul>\n<li>\u2018 \u201cSymphonic Metamorphosis\u201d: Karg-Elert\u2019s Symphony for Organ\u2019,\u00a0<em>The Musical Times<\/em>,November 1989, 769-771<\/li>\n<\/ul>\n<ul>\n<li>\u2018Johann Gottfried Walther (1684-1748): A Tercentenary Tribute\u2019,\u00a0<em>The Musical Times<\/em>,November 1984, 721-725<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Articles written by Graham Barber: &#8216;Parallels between the organ chorales of C. Hubert. H. Parry and Max Reger&#8217; in Helmut Loos, Klaus-Peter Koch and Susanne Popp (eds.) Max Reger &#8211; ein nationaler oder ein universaler Komponist?, Mitteilungen der internationaler Arbeitsgemeinschaft an der Universit\u00e4t Leipzig, Gudrun Schr\u00f6der Verlag, Leipzig, 2017, 149-163 &#8216; &#8220;What the crowd requires [&hellip;]<\/p>\n","protected":false},"author":94,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ep_exclude_from_search":false},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.11 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Publications \u203a Graham Barber<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/grahambarber.org.uk\/publications\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications \u203a Graham Barber\" \/>\n<meta property=\"og:description\" content=\"Articles written by Graham Barber: &#8216;Parallels between the organ chorales of C. 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Max Reger &#8211; ein nationaler oder ein universaler Komponist?, Mitteilungen der internationaler Arbeitsgemeinschaft an der Universit\u00e4t Leipzig, Gudrun Schr\u00f6der Verlag, Leipzig, 2017, 149-163 &#8216; &#8220;What the crowd requires [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/grahambarber.org.uk\/publications\/\" \/>\n<meta property=\"og:site_name\" content=\"Graham Barber\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-13T14:55:13+00:00\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/grahambarber.org.uk\/publications\/\",\"url\":\"https:\/\/grahambarber.org.uk\/publications\/\",\"name\":\"Publications \u203a Graham Barber\",\"isPartOf\":{\"@id\":\"https:\/\/grahambarber.org.uk\/#website\"},\"datePublished\":\"2014-01-25T14:43:25+00:00\",\"dateModified\":\"2019-02-13T14:55:13+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/grahambarber.org.uk\/publications\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/grahambarber.org.uk\/publications\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/grahambarber.org.uk\/publications\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/grahambarber.org.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Publications\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/grahambarber.org.uk\/#website\",\"url\":\"https:\/\/grahambarber.org.uk\/\",\"name\":\"Graham Barber\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/grahambarber.org.uk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Publications \u203a Graham Barber","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/grahambarber.org.uk\/publications\/","og_locale":"en_US","og_type":"article","og_title":"Publications \u203a Graham Barber","og_description":"Articles written by Graham Barber: &#8216;Parallels between the organ chorales of C. 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Max Reger &#8211; ein nationaler oder ein universaler Komponist?, Mitteilungen der internationaler Arbeitsgemeinschaft an der Universit\u00e4t Leipzig, Gudrun Schr\u00f6der Verlag, Leipzig, 2017, 149-163 &#8216; &#8220;What the crowd requires [&hellip;]","og_url":"https:\/\/grahambarber.org.uk\/publications\/","og_site_name":"Graham Barber","article_modified_time":"2019-02-13T14:55:13+00:00","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/grahambarber.org.uk\/publications\/","url":"https:\/\/grahambarber.org.uk\/publications\/","name":"Publications \u203a Graham Barber","isPartOf":{"@id":"https:\/\/grahambarber.org.uk\/#website"},"datePublished":"2014-01-25T14:43:25+00:00","dateModified":"2019-02-13T14:55:13+00:00","breadcrumb":{"@id":"https:\/\/grahambarber.org.uk\/publications\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/grahambarber.org.uk\/publications\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/grahambarber.org.uk\/publications\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/grahambarber.org.uk\/"},{"@type":"ListItem","position":2,"name":"Publications"}]},{"@type":"WebSite","@id":"https:\/\/grahambarber.org.uk\/#website","url":"https:\/\/grahambarber.org.uk\/","name":"Graham Barber","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/grahambarber.org.uk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/grahambarber.org.uk\/wp-json\/wp\/v2\/pages\/38"}],"collection":[{"href":"https:\/\/grahambarber.org.uk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/grahambarber.org.uk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/grahambarber.org.uk\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/grahambarber.org.uk\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":0,"href":"https:\/\/grahambarber.org.uk\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"wp:attachment":[{"href":"https:\/\/grahambarber.org.uk\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}